![]() A portrait of Roxelana depicts her wearing a pillbox-shaped headdress with decorative jewels on the border. In depictions of sultanas, their clothing is mostly fabricated with few references to what Ottoman women actually wore. ![]() Headdresses were typically tall, pointed hats with a veil attached to them, which served to cover their faces during outings. There are not a lot of records of women's clothing at the time, so artwork is used to gain some understanding. Imperial and noble ladies would also cover their heads with small handkerchiefs and their faces with Brussels net veils. The daughters of sultans would receive luxurious jewelry when getting married, including diadems or veils with jewels embedded in them. Starting from the 19th century, sultans started wearing fezzes instead of turbans. Royal turbans could be decorated with feathers in an ornamental aigrette. Ottoman headdresses indicated the status and occupation of the wearer. While the 'sarık' was replaced by the ' fez', the people employed in the Sublime Porte began to wear trousers, 'setre' and 'potin'. The modernization attempts of Mahmud II in the 1830s first had its effects in the state sector. The excessively luxurious compulsion of consumption and showing off in the Tulip Era lasted until the 19th century. 'Political crises of the 17th century were reflected as chaos in clothes. While commoners wore "külah's" covered with 'abani' or 'Yemeni', higher-ranking men wore a wide variety of turbans. Headgear was the most potent indicator of male social status. She also covered her hair and face with a pair of veils. However, when a woman left the house, she covered her clothes with a ferace, a dark, modestly cut robe that buttoned all the way to the throat. All of these clothes could be brightly colored and patterned. Both garments also had buttons all the way to the throat but were often buttoned only to the underside of the bust, leaving the garments to gape open over the bust. Both zıbın and kaftan were buttoned to the waist, leaving the skirts open in front. For formal occasions, such as visiting friends, the woman added an entari or kaftan, a long robe that was cut like the zıbın apart from the length. Women's everyday wear was şalvar (trousers), a gömlek (chemise) that came down to the mid-calf or ankle, a short, fitted jacket called a zıbın, and a sash or belt tied at or just below the waist. ![]() The administrators and the wealthy wore caftans with fur lining and embroidery, whereas the middle class wore 'cübbe' (a mid-length robe) and 'hırka' (a short robe or tunic), and the poor wore collarless 'cepken' or ' yelek' (vest). In this period men wore outer items such as 'mintan' (a vest or short jacket), 'zıbın', 'şalvar' (trousers), 'kuşak' (a sash), 'potur', an entari or kaftan (a long robe), ' kalpak', ' sarık' on the head 'çarık', çizme (boots), 'çedik', 'Yemeni' on the feet. ![]() The clothing of Muslims, Christians, Jewish communities, clergy, tradesmen, and state and military officials were particularly strictly regulated during the reign of Suleiman the Magnificent. Starting in the reign of Suleiman the Magnificent, administrators enacted sumptuary laws upon clothing. While the Palace and its court dressed lavishly, the common people were only concerned with covering themselves. The fur lining of her yelek (jacket or vest) marks her as wealthy and high-ranking. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up. Ottoman period Ottoman Sultan Suleiman the Magnificent adorned in a well embroidered Kaftan A stylish young woman of the mid-17th century. Ottoman clothing or Ottoman fashion is the style and design of clothing worn during the Ottoman Empire. ( July 2011) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. This article includes a list of general references, but it lacks sufficient corresponding inline citations.
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